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Ma'adim Vallis

by Variable Geometry Orchestra



Track 1 recorded live on 25th November 2018 by Miguel Azguime at O'Culto da Ajuda, during the CreativeFest XI.
Track 2 recorded live on 5th January 2018 by Carlos Santos at Damas, Lisbon.
Mixed, mastered and graphic design by Carlos Santos.
Production by Ernesto Rodrigues.


released September 16, 2018

Ernesto Rodrigues – conduction (I, II), valiha (I), brazilian rabeca (I)
Maria do Mar - violin (II)
Guilherme Rodrigues – cello (I, II)
Ricardo Jacinto – cello (I)
Miguel Mira – cello (I, II)
Guillaume Gargaud – acoustic guitar (I)
Miguel Almeida – classical guitar (I)
Gianna de Toni – ukulele (I)
Hernâni Faustino – double bass (I)
Adriano Orrù – double bass (I)
João Madeira – double bass (I, II)
Bernardo Álvares - double bass (II)
Fernando Sousa – electric guitar (I)
Paulo Leal Duarte – electric guitar (I)
Abdul Moimême – prepared electric guitar, objects (I, II)
Miguel Cabral – violaika (I)
Karoline Leblanc - piano (I)
Maria Radich – voice (I, II)
Tiago Varela – melodica (I, II)
Silvia Corda – melodica (I)
Manuel Guimarães – melodica (I)
Carlos Santos – electronics (I, II)
Carla Santana – electronics (I, II)
André Hencleeday – megaphone (I)
Armando Pereira – accordion (I, II)
Paulo Chagas – flute, oboe (I, II)
Luiz Rocha – clarinet (I)
Bruno Parrinha – bass clarinet (I, II)
Nuno Torres – alto saxophone (I, II)
José Lencastre – alto saxophone (I)
Etienne Brunet – alto saxophone (I)
Paulo Galão – tenor saxophone (I, II)
Luis Guerreiro – trumpet (I)
Anna Piosik - trumpet (II)
Fernando Simões – trombone (I)
Eduardo Chagas – trombone (I)
Monsieur Trinité – objects (I, II)
Vasco Trilla – drums (I)
Pedro Santo – drums (I, II)
João Valinho – drums (I)


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Guilherme Rodrigues Berlin, Germany

Guilherme Rodrigues is a cellist, improviser and composer from Lisboa, Portugal.
He was born in 1988 in Lisboa and started to learn cello and trumpet when he was seven at Orquestra Metropolitana de Lisboa and later in Conservatório Nacional de Música de Lisboa to study classical and music theory until his twenty-three. With an intuitive approach to improvisation and exploration of the timbres... ... more

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