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We’ve updated our Terms of Use. You can review the changes here.
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Mike
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mlewenstein
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Martin Reh
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1.
Room 13 - Ashworth, Hall 10:31
2.
Room 13 - Hamann, Hall 10:24
3.
Room 13 - Rodrigues, Hall 11:05
4.
Room 13 - Savic, Hall 10:30
5.
Room 13 - Tolimieri, Hall 10:33
6.
Room 13 - Gordoa, Hall 10:32

about

Rooms is an ongoing series of musical interactions to try and keep a sense of community and interconnectedness going throughout a time of uncertainty and grief. Beyond that it is designed to create meeting points for artists who don’t have the ability to exist in the same physical space.
in this moment, the intensely social aspects of improvised and experimental music are wing clipped, we are isolated and without an important aspect of our musical practice. Finding ways to maintain and encourage community and togetherness is more important than ever. Rooms is one attempt at doing such a thing.

Room 13

The first installment of Rooms is a collection of duos. All artists are playing with the same center created by me (samuel hall). The idea is to simulate a situation where at the moment of the first duo’s creation, any of the other artists could have been visiting me in my room, interacting and creating together. Subsequently creating a new room, one where we both exist together for the duration of the music.

credits

released April 24, 2020

Judith Hamann - Cello

Quentin Tolimieri - melodica, piano, effects

Guilherme Rodrigues - field recordings, washing machine, telephone

Grgur Savic - objects, saxophone

Emilio Gordoa - percussion, electronics

Justin Ashworth - modular synth, electronics, vocals,

Samuel Hall - drums, percussion, prepared oven tray, electronics

Mix Master - Samuel Hall
Patreon - www.patreon.com/roomz

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about

Guilherme Rodrigues image

Guilherme Rodrigues Berlin, Germany

Guilherme Rodrigues is a cellist, improviser and composer from Lisboa, Portugal.
He was born in 1988 in Lisboa and started to learn cello and trumpet when he was seven at Orquestra Metropolitana de Lisboa and later in Conservatório Nacional de Música de Lisboa to study classical and music theory until his twenty-three. With an intuitive approach to improvisation and exploration of the timbres... ... more

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